Muse Video Prompt Format lock: Aspect ratio 9:16 (source 720×1296, 30 fps; gen… · @sandmrk · TwKit

@sandmrk

Muse Video Prompt Format lock: Aspect ratio 9:16 (source 720×1296, 30 fps; generate at 1080×1920, 30 fps) — the output MUST use exactly this 9:16 vertical ratio; no cropping, no reframing, no letterbox change. Master (include with every clip): DANCE DECLARATION: Dance video — one young woman DANCING alone against a plain light wall, performing a slow, languid hand-gesture groove dance. She dances continuously from the first frame to the last; the dancing never stops, not between sections, not at the end. This is a pure dance performance, not acting — no miming the lyrics, no lip-sync, no narrative gestures. Identity & costume lock: One AI-generated fictional young woman in her late twenties with a refined oval face, fair porcelain skin, deep red lips and defined eye makeup, long black wavy hair in a side part falling past her waist, small drop earrings. Her dress is a pale pink satin slip mini-dress: thin shoulder straps, a soft cowl neckline, open cut-outs at both sides of the waist, and a ruched short skirt. Overall build in whole terms only: tall, slender, well-proportioned. Semi-realistic CG render with fine 3D detail and soft cinematic skin shading, not live-action, not flat anime. Maintain exact facial features and costume in every frame; nothing about her appearance changes. Setting & composition: A plain off-white studio wall with a faint vertical light strip glow, no furniture, no props. She stands at frame center, about 96 percent of frame height, head about 3 percent below the top edge, face about 9 percent of frame height; the wall stays empty and continuous behind her in every frame. CAMERA — transcribed from the original: camera not moving for the whole clip — one locked thigh-up shot, no zoom, no pan, no drift; her scale in frame never changes; the wall and its light glow never shift. THE WEIGHT OF THE GESTURES: the dance is slow but never limp — every gesture travels on a deliberate arc and lands with her weight pouring fully from one leg to the other underneath; her long waves swing half a beat behind each weight landing, and her fingertips finish each arc a fraction after her wrists, like the end of a ribbon. If the hands flutter without the body dancing, the hair sits dead, or the sway reads as standing still, it is wrong. The dance never stops: first frame already moving, no pause between phrases, last frame still moving. HER FACE — COOL, COMPOSED ALLURE: her bearing is relaxed and self-assured — shoulders down and open, chin level, posture unhurried. The allure is carried by her gaze: eyes direct into the lens with slow, deliberate blinks, upper lids heavy at ease, a clear catchlight held in both eyes; her smile stays restrained, lips parting only slightly on the beckoning beats. The one softening arrives at the side glance near the end — the gaze leaves the lens for a single beat, then returns. She finishes still composed, mid-sway, no smile peak. Lighting: soft frontal studio light, low contrast, even and flattering; a gentle sheen travels over the satin as she sways; the whole image holds a pale, clean, high-key grade. Music: a slow R&B groove at about 99 BPM, one beat every 0.60 seconds, bars of 4 beats; every gesture accent lands on a beat. Clip 1 (source 0:00–0:08.8): 0-1s | Phrase A (beckoning hands), Bar 1, beats 1–2: Dancing facing front, both hands rise to chest height with fingers softly curled, the fingertips curling inward twice in a slow beckon, each curl led by a roll of the wrists; her weight is already pouring side to side underneath, hair swinging half a beat behind. Camera not moving. Avoid: hands rising without the body swaying, fingers stiff and straight, a grin. 1-2s | Bar 1, beats 3–4: The hands open and turn, index fingers tracing small downward points in alternation while the palms stay soft and open; shoulders answer the hips half a beat late, gaze locked on the lens. Camera not moving. Avoid: sharp jabbing points, the groove stopping under the gestures, elbows locking.

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