Muse Video Prompt Format lock: Aspect ratio 9:16 (source 720x1296, 30 fps; gen… · @sandmrk · TwKit

@sandmrk

Muse Video Prompt Format lock: Aspect ratio 9:16 (source 720x1296, 30 fps; generate at 1080x1920, 30 fps) — the output MUST use exactly this 9:16 vertical ratio; no cropping, no reframing, no letterbox change. TEMPO LOCK: real-time speed throughout — this is a slow groove danced at full real-time pace, not slow motion. Music grid 130.4 BPM, one beat every 0.46 seconds; at least two visible actions per second (a hip landing plus a hair, head or hand event); every pose lands on its beat and leaves on the next, nothing drifts or lingers between beats. No slow motion, no languid pace, no dreamy floating in the body — only her hair tips and the dress hem may lag, and only half a beat behind the hips. Master (include with every clip): DANCE DECLARATION: Dance video — one young woman DANCING alone in a bright white studio, performing a slow, confident in-place groove dance: continuous hip sway and weight rolls with one signature hand parked behind her head. She dances continuously from the first frame to the last; the dancing never stops, not between sections, not at the end. This is a pure dance performance, not acting — no miming the lyrics, no lip-sync, no narrative gestures. Identity & costume lock: One young Western woman in her early twenties with a soft oval face, fair skin with a warm glow, natural makeup and muted rose lips. Long wavy blonde hair falling past her chest, loose waves with the front strands framing her face. She wears a beige nude halter bodycon mini dress: soft knit fabric, a draped cowl halter neckline that gathers at the throat, sleeveless, body-hugging, the hem ending at mid-thigh with soft horizontal ruching across the hips. Semi-realistic CG render with fine detail and soft skin shading, not live-action, not flat anime. Maintain exact facial features, hair and costume in every frame; nothing about her appearance changes. Setting & composition: A bright white studio wall behind her with soft vertical bands of window light; the floor is never visible — the frame cuts off at her mid-thigh. She stands centered, her body about 97 percent of the frame height from the top edge to where her thighs exit the bottom, head about 3 percent below the top edge, face about 10 percent of the frame height, her body about 40 percent of the frame width. Nothing else is in the room. CAMERA — transcribed from the original: camera not moving for the whole clip — one locked shot at eye level, no zoom, no pan, no drift; her scale in frame never changes; the light bands on the wall never shift. No foreground events until the final second, when her left hand rises toward the lens in a small wave. THE WEIGHT OF THE SWAY: the groove lives in her hips. Her hip center travels about 20 percent of the frame width in total, each landing fully committed — weight pours onto one leg and the whole pelvis goes with it, the knit hem swinging with the landing and her hair tips swinging half a beat behind. She does NOT alternate sides like a metronome: the weight dwells center-right for most of the dance and crosses fully only about twice in nine seconds. If the sway reads as a small polite rocking, or ticks left-right on every beat, it is wrong. The dance never pauses — while one hand is parked behind her head for over six seconds, the hips keep landing underneath without a single still beat. HER FACE — EFFORTLESS: her bearing is unhurried and quietly self-assured — shoulders down and open, chin level, nothing to prove. Her gaze rests on the camera for most of the dance, upper lids relaxed and heavy rather than wide, lips closed and soft, breathing easy; the head pours a few degrees with each hip landing, following the weight half a beat late. Once, around the seventh second, her eyes close for a single beat inside the sway and open again — felt, not performed. She ends looking into the lens mid-wave, expression unchanged: the dance stops because the clip stops.

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