江上帖 《江上帖》是宋代著名文人苏轼在去世前约九十天所书写的一封信，约成于西元960至1279年间。信件以纸本墨书册页形式保存，尺寸约为纵30.3厘米、横3… · @teslamillion · TwKit

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江上帖 《江上帖》是宋代著名文人苏轼在去世前约九十天所书写的一封信，约成于西元960至1279年间。信件以纸本墨书册页形式保存，尺寸约为纵30.3厘米、横30.5厘米。苏轼于1101年5月27日，从海南岛死里逃生后，在前往南京的途中写下此信，向好友杜传表达思念与祝福。信中虽然流露苏轼身染重病的事实，但他未诉苦，反而传递出对生活的热情和坚定态度。 书法风格接近楷书，字形宽博，墨色饱满厚重，笔画缓慢且字字独立，展现了作者的诚恳与慎重。书写姿态显示苏轼学习了唐代李邕的风格，字体右肩略显斜抬且矫健。此外，笔法中明显的“颤笔”效果体现了颜真卿的影响。整个作品在字形大小、线条粗细及字组布局上表现简洁、平实，有着稳健的节奏与沉重的气氛。这幅作品既是苏轼晚年的书法代表作，也反映了宋代书法艺术的发展风貌。 ——国立故宫博物院 --- The Jiangshang Letter is a calligraphic work from the Song Dynasty (960–1279), penned by Su Shi approximately ninety days before his death. Written on paper as a folded leaf, its dimensions measure roughly 30.3 cm vertically and 30.5 cm horizontally. On May 27, 1101, after narrowly escaping death on Hainan Island, Su Shi wrote this letter during his journey to Nanjing, expressing his greetings and blessings to his friend Du Chuan. The script approaches a regular script style with broad characters and heavy ink application. Each stroke is deliberately slow and characters stand independently, reflecting sincerity and carefulness. The style shows influences from the Tang calligrapher Li Yong, evident in the slightly raised right shoulder of the strokes, and incorporates a trembling brush effect inspired by Yan Zhenqing. The overall composition presents a simple, steady rhythm with a solemn atmosphere, without strong contrasts in character size or line thickness. This work embodies Su Shi’s late calligraphy and Song Dynasty artistic traits. — National Palace Museum 國立故宮博物院，臺北 / National Palace Museum, Taipei · 依館方資料整理及英譯 / Based on museum information; English translation.

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